[MUSIC] When we're talking about arranging, we've covered now what it means to get young people excited about arranging. Not only is the teacher engaging and arranging themselves, but to really start the creative process so that their students can also do some arranging. There are multiple ways in which young people have already explored arranging, perhaps through games, through any number of technologies that are out there, where they're experimenting with sampling and what have you. But in and of itself, they're beginning to rearrange and create new songs, new tunes, new experiences. We've looked at the ways in which we can more deeply engage young people to really get them thinking in terms of how to use their musical opportunity to really dig in deep, learn more about the functionality of music within the context of arranging. Also to develop those kinds of boundaries, if you will, so that there's a wonderful mutual respect for the process, as, maybe, different kinds of projects and products are emerging between their peers. And how to analyze, assess, and learn, and make adjustments based on the technologies that may be available to everyone. And then of course, also about the use of different instruments from acoustic to amplified, again, two tracks. So now we're at the point of assessment, after looking at the multiple objectives that we would like to, as teachers, explore. How do you assess in the context, again, of arranging, and then also incorporating some of the technologies that you've spoken to? >> It all boils down to the objective, and then having a rubric to measure that. In one arrangement, you're not going to be speaking to every single aspect that you just said. So maybe in one arrangement, you're not going to be using technology, maybe you're learning. If, for example, if the objective is to have a student score for a jazz trio, then you're clearly articulating what that objective is. And then there is a checkpoint for all of the steps, and then if the student has done that, then you check it off. It's important to still allow space for students to be exploratory, and for students to take risks. So if you have each category, and it's more general, then a student can still meet that objective, and still feel like they had a part of the creative process. >> Wonderful, wonderful. You also spoke about the use of social media, what would your suggestions be if someone wants to use that as part of an assessment tool? >> The way in which social media could be used as an assessment tool would be more to garner public reaction, but not necessarily for assessment of their work, it just gives another perspective. >> Wonderful.